Running brain: BODY ART AND ARTWORK
Physique Art and Ornamentation in several Cultures
Introduction to Cultural Anthropology ANT101
This summer 28, 2013
There is no culture in which persons do not, or perhaps did not color, pierce, tattoo, reshape, or perhaps adorn all their bodies (Schildkrout, 2001). Through history, body system art and ornamentation has changed into a worldwide sensation and has played a key role in our lives, but there is a social stigma which will we cannot seem to eliminate ourselves of. It is mostly misunderstood and misinterpreted which may be attributed to the simple fact that the meaning and significance of the human body art and ornamentation will not always translate the same among the list of cultures. Though Western lifestyle views physique art and ornamentation to be associated with mischief and rebellion, Japanese and African nationalities use it as a method of expressing spirituality and also cultural phrase. The existence of human body art and ornamentation can be traced right back thirty thousand years or more back in when cavemen drew photos on the give walls. Relating to Kuhn & Stiner (n. m. ), the alteration and enhancement on the body descends from the Kapthurin formation in Kenya. Scientists even assume that body fine art and artwork was present during the Middle Pleistocene in both Eurasia and Africa.
Phrase and art are two factors that play an elementary part in African lifestyle. According to Clarke (2006), many Africa societies symbolically view physique art and ornamentation being a special function in helping one's success and accomplishment, mediating between world of the living in addition to the spiritual globe, expressing community ideals, determining power and leadership, guarding and treatment, and celebrating or commemorating the periods of life, human and agricultural.
African lifestyle uses a selection of ways to screen their physique art and ornamentation depending on which world they reside in. These techniques include: including shells, pearly whites, or...
Referrals: Clarke, C. (2006). The art of africa: An answer for educators. The City Museum of Art. Retrieved from Ebscohost database
Crapo, R. They would. (2013). Ethnic anthropology. San Diego, CA: Bridgepoint Education
Hopkins-Tanne, J. (2000). Body fine art: Marks of identity. British Medical Diary. doi: 320(7226): 64
Kappeler, P., Stahl, J., & Wohlrab, T. (2006). Changing the body: Inspirations for getting inked and pierced. Science Immediate: Body Image 5, 87-95. Gathered from http://www.sociodep.hku.hk/bbf/BBF%20Readings%20W12/W12%20Modifying_the_Body.pdf
Kuhn, H. L. & Stiner, Meters. C. (n. d. ) Body ornamentation as information technology: Towards an awareness of the relevance of early on beads. Gathered from http://courses.washington.edu.archyaec/archy401/readings/kuhn-beads.pdf
Rapp, Elizabeth. (2010). Stigmatization or decoration: Tattoo since deviance, a cross-cultural research. Retrieved via http://www.academia.edu/1538291/Stigmatization_or_Decoration_Tattoo_as_Deviance_a_Cross_Cultural_Study
Schildkrout, E. (2001). Body artwork as a visible language. Via Anthropology Records, 1-8. Retrieved from http://windward.hawaii.edu/facstaff/dagrossa-p/articles/bodyartasvisuallang.pdf
Schwarz, M. (2006). Native american body art: Identity and spirituality in contemporary america. Academic Search Premier database, 19, (3/4), 223-252. doi: 10. 1080/08949460500297398