People Music: The Bridge between your Past plus the Present

 Folk Music: The Link between the Previous and the Present Essay

StricklandВ

GloriaВ StricklandВ

Mrs. В CoyВ

APLitВ

5В DecemberВ 2014В

FolkВ Music: В TheВ BridgeВ betweenВ theВ PastВ andВ theВ PresentВ SometimesВ theВ strongestВ wayВ toВ getВ aВ storyВ orВ pointВ acrossВ isВ throughВ wordsВ ofВ song. В InВ aВ historicalВ pointВ ofВ view, В theВ oldestВ andВ mostВ effectiveВ styleВ ofВ musicВ thatВ hasВ hadВ aВ majorВ impactВ throughoutВ theВ worldВ isВ folkВ­styleВ music. В ManyВ ofВ theВ UnitedВ States'В immigrantsВ fromВ EuropeВ wereВ drawnВ to, В andВ influencesВ to, В theВ musicВ inВ theВ South, В mainlyВ duringВ theВ 1800'sВ (Cohen). В TheВ definitionВ ofВ folkloreВ hasВ beenВ aВ widelyВ discussedВ topic, В butВ asВ farВ asВ folkВ musicВ goes, В mostВ canВ agreeВ thatВ itВ isВ definedВ asВ traditionalВ musicВ thatВ hasВ beenВ orallyВ passedВ onВ throughВ theВ generationsВ (Gomme). В ManyВ differentВ ethnicitiesВ andВ agesВ ofВ peopleВ haveВ influencedВ today'sВ folkВ musicВ toВ someВ degree. В ThereВ isВ noВ setВ styleВ thatВ allВ folkВ musicВ follows, В givenВ thatВ itВ hasВ noВ setВ origin. В TheВ importanceВ ofВ thisВ culturalВ genreВ ofВ musicВ is, В however, В recognizedВ andВ differentВ peopleВ andВ organizationsВ haveВ workedВ toВ protectВ itВ (Reuss). В FolkВ musicВ festivalsВ grewВ popularВ duringВ theВ 19thВ andВ 20thВ century, В whichВ drewВ manyВ peopleВ fromВ abroadВ toВ theВ UnitedВ States(Cohen). В FolkВ musicВ holdsВ aВ potentialВ keyВ toВ understandingВ lifeВ throughВ theВ generations. В FolkВ music'sВ originationВ inВ AmericaВ isВ debatedВ asВ toВ whetherВ orВ notВ itВ comesВ fromВ theВ AmericanВ IndiansВ orВ fromВ theВ immigrationВ ofВ peopleВ fromВ Europe. В However, В noВ matterВ it'sВ actualВ origination. В itВ isВ stillВ aВ veryВ valuableВ aspectВ toВ ourВ nation'sВ history. В В TheВ UnitedВ StatesВ isВ richВ inВ AmericanВ IndianВ history. В SuchВ civilizationsВ were/haveВ beenВ aВ substantialВ influenceВ toВ theВ considerationsВ ofВ expandingВ theВ definitionВ ofВ folkВ musicВ (Donaldson). В

StricklandВ

Many folklorists would agree that American Indians laid the foundation to folklore while preserving their history and identity through instrumentation and song (Lee).  Still today,  " contemporary Oklahoma Indians continue to build a cultural foundation upon these ancient music traditions” (Lee). ​

​

There are still ceremonial activities featuring music and dance that take place among Indian nations​

В 

whoseВ originsВ areВ inВ southeasternВ NorthВ AmericaВ (Lee). В WhenВ visitingВ sitesВ inВ Tennessee, В myВ familyВ andВ IВ makeВ sureВ toВ visitВ Cherokee, В NorthВ CarolinaВ alongВ theВ way. В CherokeeВ IndianВ cultureВ continuesВ toВ beВ passedВ downВ throughВ theВ generationsВ throughВ useВ ofВ music, В traditionalВ dance, В andВ handcraftedВ artВ everyВ dayВ inВ Cherokee. В WeВ[myВ family]В haveВ beenВ ableВ toВ experienceВ muchВ ofВ theirВ AmericanВ IndianВ folkloreВ whenВ visitingВ thisВ site. В MaintainingВ thisВ historicalВ communityВ isВ importantВ inВ orderВ forВ peopleВ toВ continueВ toВ understandВ certainВ aspectsВ ofВ developmentВ inВ ourВ nation.  ​

TraditionalВ IndianВ stompВ dancesВ hadВ multipleВ

purposes; such as friendship,  animal,  and rain dances​  ​

(Lee). В LikeВ muchВ ofВ theВ folkВ musicВ createdВ

byВ Europeans, В certainВ musicВ[containingВ theВ " heartbeat” ofВ aВ drum]В byВ theВ AmericanВ IndiansВ wereВ culturallyВ basedНѕВ containingВ tracesВ toВ huntingВ andВ warfareВ (Lee).  ​ NeighborsВ typicallyВ

exchanged different songs and dances with one another​,  ​

creatingВ diverseВ intertribalВ folkВ musicВ

(Lee). В Presently, В ProtestantВ churches, В commonlyВ throughoutВ AmericanВ IndianВ communities, В portrayВ EuropeanВ hymnsВ andВ otherВ tribalВ aspectsВ (Lee). В ObservingВ theВ connectionsВ madeВ betweenВ EuropeansВ andВ AmericanВ Indians, В itВ isВ clearВ thatВ folkВ musicВ hasВ beenВ aВ anВ efficientВ tool, В perВ se, В inВ connectingВ peopleВ overВ time. В EvenВ toВ aВ smallerВ degreeВ inВ myВ personalВ life, В connectionsВ areВ easilyВ madeВ betweenВ myselfВ andВ otherВ peopleВ whenВ takingВ partВ inВ differentВ musicВ­relatedВ activities. В EvenВ ifВ allВ theВ peopleВ takingВ partВ inВ aВ newВ musicalВ arrangementВ don'tВ knowВ oneВ another, В itВ isВ usuallyВ prettyВ easyВ toВ relateВ andВ becomeВ wellВ acquaintedВ withВ otherВ people. В ThoughВ theВ

StricklandВ

mu​

siciansВ IВ amВ speakingВ ofВ playВ musicВ byВ waysВ ofВ readingВ whatВ hasВ beenВ recorded, В ratherВ thanВ...

Cited: Celebration.  ​

Lanham: В ScarecrowВ Press, В Inc, В 2008. В Print. В

MusicВ forВ theВ People: В TheВ FolkВ MusicВ RevivalВ AndВ AmericanВ Identity, В

1930­1970.  ​

NewВ York: В D. В AppletonВ andВ Company, В 1892. В

Print out. В

. В Chicago: В TheВ UniversityВ ofВ ChicagoВ

Press, В 1972. В Print. В В

PBSВ В­В AmericanВ RootsВ MusicВ: В IntoВ theВ ClassroomВ В­В HistoricalВ Background. В TheВ GingerВ Group, В

2001. В Web. В 13В NovemberВ 2014. В В

American Folk Music and Left­wing Politics,  1927­1957. ​

Lanham: В ScarecrowВ

Press, В Inc, В 2000. В Print.

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